The Balance Between Formal and Informal Managerial Practices
Managing Ambidexterity in Creative Industries
Theory
Looking into the “Anime Global Popular” and the “Manga Media”
Reflections on the Scholarship of a Transnational and Transmedia Industry
What Factors Constitute Structures of Clustering Creative Industries?
Incorporating New Institutional Economics and New Economic Sociology into A Conceptual Framework
When Bohemia Becomes a Business: City Lights, Columbus Avenue, and a Future for San Francisco
Richard Florida’s arguments flatten, homogenize and commercialize the radicalism and resistance of the cities validated through his criteria
The nature of the creative workforce
There are still doubts that culture’s outputs can develop into profit, and, even more, into businesses
Leonardo joined art with engineering
Some creative ideas can’t be executed without science
Why Artists Cluster in Big Cities? Infrastructural Factors of Location, Professional Strategies and Community Dynamics
Clustering can be understood as a way of creating networks of solidarity amongst artists
Do Temporary Creative Clusters Promote Innovation in an Emerging Economy? A Case Study of the Beijing Design Week
A ‘global buzz-global pipeline’ mechanism occurs at the exhibition
Multiple Identities of Media Labourers and Experiences of Creative Autonomy
An Empirical Investigation from a TV-Producer/Director’s Perspective
Creative Industries, Value Theory and Michael Heinrich’s New Reading of Marx
Creative industries possess a significant role in a capitalist economy blighted by a necessity towards the overproduction of commodities